Daisy is a queer koorie artist who embraces the humour and humility of survival and belonging in a schismatic deep-fake post-truth context. Daisy's projects fuse experimental sound, video installation, and performance. Their work offers vital insights in critical theory and creative practice about how Indigenous futurism and relational knowledge systems contributes to anti-carceral resistance, ecosocial survival, and First Peoples justice. Daisy has exhibited at the AGSA’s Ramsay Art Prize, Parliament of NSW, Blak Dot Gallery, Gertrude Contemporary, Incinerator Gallery, The Lockup, Bus Projects, SEVENTH, Rabbit Poetry Journal, MeMo review, and UNprojects. 

Nicholas Currie is a descendant of the Mununjali clan of the Yugambeh language group, with connection to Kuku Yalanji, and currently lives on Wurundjeri Country in Naarm/Melbourne. Humour and kindness are undercurrents to the major themes addressed in his works: contemporary Indigenous perspectives, hauntology and exploration of identity within current Australia. Currie has exhibited at Connors Connors, Sullivan + Strumpf, Futures Gallery, Kings Artist Run Space, Blak Dot Gallery, Koorie Heritage Trust, Outer Space, Craft, Incinerator Gallery and the Margaret Lawrence Gallery. He has a BFA Honours from the Victorian College of the Arts.

Tahmina Maskinyar is an arts worker and writer. Born in Kabul and raised near the Djarlgarro Beelier (Canning River) on Whadjuk Noongar Boodja, she is committed to amplifying the existing capacities of others and aims to facilitate space for creative practice to flourish and intersect with critical discourse. Her experience spans academia, not-for-profits, volunteer boards, and government. Tahmina’s writing has been published in Architecture Australia, un Magazine, Art Guide, and West Space Offsite.

Sophia Cai 蔡晨昕 is a curator and writer based in Kamberri/Canberra, Australia. Sophia’s ongoing research interests include Asian art histories, the intersections between contemporary art and craft, and building communities of practice rooted in feminist and anti-racist work. Sophia is the current Artistic Director + CEO of Canberra Contemporary, one of Australia’s leading contemporary art organisations, and the Deputy Chair of NAVA, a peak advocacy body for Australia’s contemporary arts sector, while maintaining an independent writing and curatorial practice.

Tristen Harwood (Ngalakgan) is a writer, critic, and editor. He is a Tutor in Critical and Theoretical Studies at the Victorian College of the Arts. He is currently undertaking a PhD at RMIT University, which looks to understand the historical relationship between carceralism and Indigenous art making. Tristen is a contributing editor at MeMo review and a board member of the Plumwood Committee. His most recent book is Variations A More Diverse Picture of Contemporary Art (2023), co-edited and authored with Grace McQuilten and Anthony White. Tristen has published in Art Monthly Australasia, The Age, The Saturday Paper, MeMo Review, ArtReview, Art Guide, Overland, Artlink, Un Magazine, and various exhibition catalogues.

An emerging curator, Tabitha situates her curatorial practice in the quiet strength of her Kamilaroi father, and the deep creative and spiritual aptitude of her mother. Tabitha enters the art world with a dedication to research and emotional accessibility, accompanied by a constant view to decolonise. Eschewing selective solidarity, she endeavours to provide space and breathe air into creative practices which follow earnest paths to truth-telling and current discovery.